Recording electric guitar using two amps and one room microphone can improve your recording. In the picture below there is a Fender Twin amp that delivers much mellow mid stomach with much dynamic and the little bad as Orange Tiny Terror which compress the signal into a classic rock sound. When using two mics its important to check the phase in mono. In this case it was necessary to phase reverse one of the mics but it ended with them being separated in the mix that is panned left right. The room mic was parallel with the wall to take advantage of the
boundary effect. Usually the room mic is placed on the floor. Later delayed the room mic around 22 milliseconds in the mix to attain the room's grumble but still interesting tone.
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AKG D112 on the Twin and Sennheiser MD421for the Tiny Terror. |
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The delayed Swedish microphone SE Electronics X1 as room mic. To the right many RCA cables. |
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